A lokacin da ke Miami: Ziyarci Tarihin Art na Perez

Gidan kayan gargajiya na Biscayne Bay ba za ku iya kuskure ba

Tare da ci gaba da Wynwood Arts District a Downtown Miami da Miami Beach ke ba da kyautar shekara-shekara na Art Basel, Miami ya kafa kanta a matsayin babban babban fasaha na kasa da kasa. A bara, Art Basel Miami ya shirya hotunan daga kasashe 32 da kuma janyo hankalin mutane 77,000 daga ko'ina cikin duniya.

Duk da haka Art Basel kawai yana faruwa kwanaki biyar daga cikin shekara.

Zauna a kan bankunan Biscayne Bay a Downtown Miami, wani ɗan gajeren hanya daga Wynwood da Miami Beach, shi ne Museum of Art Museum Miami, wani ma'aikata da ke ba wa mazauna Miami da baƙi damar gyaran fasaha na shekara.

Ba kamar ƙananan hukumomi na ƙasashen duniya ba, Cibiyar Art Museum na Pérez wani ma'aikaci ne mai kula da gida wanda ke ƙoƙarin bauta wa al'ummomin gari kuma ya nuna bambancinta.

A baya aka sani da Cibiyar Labaran Lafiya, gidan kayan gargajiya, wadda aka kafa a shekarar 1984, aka sake komawa wurinsa na yanzu a Museum Park kuma an sake masa suna bayan Jorge M. Pérez, dan lokaci mai tsawo, a 2013. Yayin da ginin shine zane na babbar masana'antar gine-ginen masana'antu na Herzog & de Meuron, jere na itatuwan dabino da ke kewaye da ita da wurin da yake kusa da ruwa ya ba da kyautar Miami vibes.

Na ziyarci gidan wasan kwaikwayo na Pérez a ranar Juma'a. Walking a cikin wani gallery a bene na farko na gaishe da wani rukuni na manyan malamai a kan tafiya filin.

"Muna da yara daga makarantun gida suna ziyarci gidan kayan gargajiyar kusan kowace rana," in ji Alexa Ferra, mashawarcin darekta na tallace-tallace da tallace-tallace, bayanin da ya ke yi game da aikin ma'aikatar don biyan mazaunan birnin.

An ba da izinin yin amfani da kwarewa a cikin garun kayan gargajiya, amma duk da haka kamar yadda Ferra ke jaddada, wannan ba wani shiri ne na yanzu ba. "Tun lokacin da aka gina gidan kayan gargajiya a shekarar 1984, aikinsa shine ya nuna aikin masu fasahar gida."

Yayinda gidan kayan gidan kayan gargajiya bai zama ba a fili ba a matsayin ma'aikata na al'adun Latin Amurka, aikinsa na wakiltar bambancin na Miami da kuma nuna masu fasaha da haɗin kai ga yankunan gari na gari ya haifar da daya daga cikin nune-nunen wasan kwaikwayo na Latin American wanda na taba gani.

A cikin birni da shekarun da suka wuce ya zama ƙofa daga al'adu daya zuwa gaba, fasaha da ke bincika al'adun al'adu yana ɗauke da nauyin gaske. Tare da hada da masu fasaha irin su Carlos Motta, wanda ke tsara tarihin liwadi a Latin Amurka tare da aikin jarida na Tarihi na Future , da Beatriz Santiago Muñoz, wanda jerin shirye-shiryen bidiyo na duniya sunyi amfani da zane-zane a cikin Caribbean, Hukumar ta PAMM ta kaddamar da wani wuri don binciko abubuwan da aka gano a Latin Amurka da Caribbean.

Lokacin da na ziyarci gidan kayan gargajiya a cikin wannan watan Satumba, babban zane shi ne "Basquiat: Rubutun Bayanin Gargaɗi maras sani" wanda Cibiyar ta Brooklyn ta shirya. Kasuwanci daga masu tattara kansu, ciki har da haɗin gwiwar tsakanin Basquiat da Andy Warhol, sun kasance tare da takardun rubutu. Ganin yadda yaran matasa na Basquiat da kyakyawan makamashi a cikin wani labari mai suna Tamra Davis 'yar fim a kan masanin wasan kwaikwayo , ba zan iya taimakawa ba sai na yi tunani akan' yan makarantar sakandaren da na hadu a filin farko. Na sami basquiat na makamashi da rashin amincewa da zama mai rikici, rikicewar rashin lafiyarsa, kuma ina tsammanin mazauna mazaunan Miami na gudu zuwa cikin bene dole ne su ji kamar haka.

"Wannan ya kasance daya daga cikin shahararrun gidan kayan gargajiya na zamani," in ji Ferra kuma zan dauki maganarta.

Binciken da aka yi a kan Jean-Michel Basquiat, wani dan wasan kwaikwayon Haiti da Puerto Rican, wani ɗan wasa wanda ya karyata tarurruka na jama'a, ya nuna ruhun Pérez Art Museum.